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Tag: Road Movies

Japanese Films

Blade of the Immortal: one wearying bloodbath after another in a film on obsessive vengeance, duty and the hell of immortality

Takashi Miike, “Blade of the Immortal” (2017) Condensed from 30 volumes of manga into a

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British Films | Eastern European Films

Loving Vincent: an arresting visual animation style papers over a repetitive and insubstantial formulaic plot

Dorota Kobiela and Hugh Welchman, “Loving Vincent” (2017) Most viewers will probably be bowled over

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North American Films

Blade Runner 2049: an absorbing and leisurely film on future societal trends despite a thin plot and lack-lustre characters

Denis Villeneuve, “Blade Runner 2049” (2017) In its own leisurely way, “Blade Runner 2049” is

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Latin American Films (Spanish language)

Neruda: an exploration of how stories are created and shaped by those who exercise political power

Pablo Larraín, “Neruda” (2016) Very loosely based on an episode in Chilean poet-politician Pablo Neruda’s

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North American Films

Spring: character study on renewal through love and connections, and beating back monsters

Justin Benson and Aaron Moorhead, “Spring” (2014) A rather long and thin character study romance

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French and French-language Films

Sans Soleil: a pretentious and confusing film that plays a stupid joke on its audience at its end

Chris Marker, “Sans Soleil” (1983) Picture yourself receiving a letter from a long-time friend who

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North American Films

Hedwig and the Angry Inch: an individual’s search for wholeness and authenticity delivered in a flat musical adaptation

John Cameron Mitchell, “Hedwig and the Angry Inch” (2001) A feisty little number showcasing John

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North American Films

My Winnipeg: an intriguing blend of memoir, documentary and surreal dark fantasy in a paean to a little city on the prairie

Guy Maddin, “My Winnipeg” (2007) An unusual blend of memoir, documentary and dark fantasy, Guy

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Chinese and Chinese-language Films

2046: glossy soap opera with little profound to say about love and loneliness

Wong Kar Wai “2046” (2004) If ever a film could be considered typical “art house”

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Middle Eastern Films

Tehran Taxi / Jafar Panahi’s Taxi: purporting to be a snapshot of life in Tehran but an examination of life and behaviour under a police state

Jafar Panahi, “Tehran Taxi” aka “Jafar Panahi’s Taxi” (2015) Banned by the Iranian government in

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