Modern Times: sympathy for the underdog and horror at a machine society enforcing conformity and repression
Charlie Chaplin, “Modern Times” (1936) In its own way, “Modern Times” is significant as an
Charlie Chaplin, “Modern Times” (1936) In its own way, “Modern Times” is significant as an
Italian and Italian-language Films
Pier Paolo Pasolini, “The Hawks and the Sparrows / Uccellacci e Uccellini” (1966) A bit
Charlie Kaufmann and Duke Johnson, “Anomalisa” (2015) Not often does a film come along that
Australian and New Zealand Films
Rolf de Heer, “Charlie’s Country” (2013) A sad and compassionate film of a man’s search
Italian and Italian-language Films
Pier Paolo Pasolini, “The Gospel According to St Matthew / Il Vangelo Secondo Matteo” (1964)
German and German-language Films | North American Films
Wim Wenders, “Paris, Texas” (1984) One of American cinema’s finest yet under-appreciated treasures must surely
Hiroshi Inagaki, “Samurai III: Duel at Ganryu Island” (1956) Inagaki’s third and last installment in
Hiroshi Inagaki, “Samurai II: Duel at Ichijoji Temple” (1955) Its predecessor in the Musashi Miyamoto
Hiroshi Inagaki, “Samurai I: Musashi Miyamoto” (1954) One of the most famous people in Japanese
North American Films | Russian and Soviet Films
Miguel Francis Santiago, “Crimea for Dummies” (RT Documentary, 2014) A unique and interesting film by