Final Offer: implausible plot made enjoyable by great acting and fast minimal dialogue
Mark Slutsky, “Final Offer” (2018) The premise is the height of implausibility but great acting
Mark Slutsky, “Final Offer” (2018) The premise is the height of implausibility but great acting
Deepak Chetty, “Hard Reset” (2016) The premise and the plot are predictable and rather tired,
Sophia Banks, “Unregistered” (2018) This short film commenting on the treatment of undocumented immigrants in
Chinese and Chinese-language Films | Spanish Films
Alejandro Suarez Lozano, “The Fisherman” (2015) A cleverly made and succinct little SF horror film
William Hellmuth, “Alone” (2020) A moving film about connection – and about how so strong
Jesse Mittelstadt, “Flyby” (2019) In its own way this film can be considered a horror
Magali Barbe, “This Time Away” (2019) A very heartwarming little film, succinct and taut in
Australian and New Zealand Films
Luke Sparke, “Occupation: Rainfall” (2020) Here’s a brisk and flashy science fiction action film done
Andrey Klimov, “Azarkant” (2013) Made as a proof-of-concept piece for a film, “Azarkant” understandably is
Nour Wazzi, “Lab Rat” (2019) Initially the plot seems familiar to the point of banality: