Apocalypse Now Now: where superstition and technology create monsters in a post-apocalyptic urban dystopia
Michael Mathews, “Apocalypse Now Now” (2017) Made as a proof-of-concept film on which a television
Michael Mathews, “Apocalypse Now Now” (2017) Made as a proof-of-concept film on which a television
Ryan Patch, “Regulation” (2019) Set in the not-too distant future, in perhaps a post-industrial /
Patrick Kalyn, “Hybrids” (2013) This sci-fi live action short seems to have been made as
Nicholas Wenger, “The Kid” (2018) “The Kid” is a six-minute proof-of-concept film made to demonstrate
Arabic-language Films | North American Films
Elan Dassani, Rajeev Dassani, “Seam” (2017) An excellent little film that could serve as a
French and French-language Films
Mriganka Bhuyan, Romain Couderette, Eunbyeol Ko, Sean Lewis, Milan Salmona, Wenkai Wang, “Royal Madness” (2019)
Will Lowell, “Custom Order” (2017) Looks like I hit a dud sci-fi short for once
Australian and New Zealand Films
Catherine Bonny, “Colony” (2018) Partly informed by the history of early European settlement in Australia,
Andre LeBlanc, “They Watch” (2016) In the near future, a mother and her teenage son
French and French-language Films
Jules Bourges, Jocelyn Charles, Nathan Harbonn Viaud, Pierre Rougemont,”Déjeuner sur l’herbe” (2019) A droll character