Memoria: a tight closed narrative loop with no chance of forgiveness or redemption

Elísabet Ýr Atladóttir, “Memoria” (2013)

A creepy psychological character study, “Memoria” is very depressing to watch. The single protagonist, Vincent, is a young alcoholic and drug addict who is tormented by inner demons. He stumbles into an abandoned house and is quickly overwhelmed by a mysterious and invisible entity that forces him to revisit aspects of his past as he winds his way through the house’s labyrinthine corridors and secret rooms. He remembers his parents’ troubled marriage and the effects it has had on him. He remembers the rage he felt when his younger brother teased him and the punishment he brought down on the boy. Remorse washes over him and he reaches out for something that will end all his torment …

The 3D animation is well done though fairly conventional in its look and backgrounds. The abandoned house is no different from other haunted domiciles in its long dark and spooky passages, the cracks in the walls and the sense of dread present throughout. As you might expect in haunted-house scenarios, the weather outside is dark and stormy. The story is tight and insular with a limited number of characters and ends in a definite closed loop, thus cutting off the possibility of cosmic forgiveness and redemption. It seems no lesson has been learned and if the characters happen to reincarnate together, they’ll repeat their actions that lead to violence, mean-spiritedness and suicide. And so the cosmic vicious circle continues.

Ultimately the way in which the story is resolved, with no suggestion of hope or a chance to make amends, is something of a let-down for this short.

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