Kwaidan: a lesson in four parts about having contact with the spirit world
Masaki Kobayashi, “Kwaidan” (1964) Often billed as a horror film, “Kwaidan” is in fact a
Masaki Kobayashi, “Kwaidan” (1964) Often billed as a horror film, “Kwaidan” is in fact a
Shohei Imamura, “The Eel / Unagi” (1997) Japan’s boys in blue have an enviable record
Seijun Suzuki, “A Tattooed Life / Irezumi Ichidai” (1965) A surprisingly touching and quite emotional
British Films | Russian and Soviet Films
George Galloway and Gayatri Pertiwi, “Sputnik: Orbiting the World with George Galloway (Episode 4)” (RT.com,
British Films | Russian and Soviet Films
George Galloway and Gayatri Pertiwi, “Sputnik: Orbiting the World with George Galloway (Episode 3)” (RT.com,
Hiroyuki Yamaga, “Royal Space Force – the Wings of Honnêamise / Ôritsu uchûgun Oneamisu no
Katsuhiro Otomo, “Steamboy / Suchimoboi” (2004) A decade in the making, Katsuhiro Otomo’s second full-length
Sion Sono, “Suicide Club / Jisatsu Sakuru” (2002) Famous for its controversial premise, full-on gory
German and German-language Films | Middle Eastern Films
Herbert Ostwald, “Wild Iran” (2011) This documentary follows the Iranian-German wildlife photographer and environmentalist Benny
Seijun Suzuki, “Branded to Kill / Koroshi no Rakuin” (1967) After his previous gangster flick