Balloon Land: a fantasy fairy land where life is fragile, death is close by and a serial killer is on the rampage

Ub Iwerks, “Balloon Land” (1935)

For sure this cartoon with the Hansel-and-Gretel morality fairy-tale plot is weird and dark, and its theme of the fragility of life and the randomness with which life is given and can be taken away by violence can be very disturbing, even for adult viewers. In Balloon Land, everything – even the trees and rocks, and the figures of famous 1930s comedians Stan Laurel, Oliver Hardy and Charlie Chaplin – is made of balloons. An inventor creates a balloon boy and a balloon girl, and gives them life by pumping air into them. He warns them that they are mere air and can be easily destroyed if they go into the forest and meet the dreaded Pincushion Man, who will pop them dead with his dreaded pins. The boy laughs at the warning and drags the girl into the forest (a sexual intercourse metaphor) where, lo and behold, they come across Pincushion Man (voiced by Billy Bletcher, who did work for Walt Disney) who has been eavesdropping on the boy boasting about how all the tales about Pincushion man are baloney. The villain chases the children and they run back into Balloon Land where they sound the town alarm by pulling all the bottles out of the mouths of babes!

When Pincushion Man convinces the village idiot to allow him to enter Balloon Land (and kills the poor fellow as well – in these old, unself-consciously racist cartoons, the black guy is always the first to die), he goes on a murderous rampage across town killing balloon people with his huge phallic pin. The balloon boy and girl call on the army to mobilise and soldiers roll out their weapons of goop-filled catapults to stop the villain dead in his tracks. The army eventually covers Pincushion Man in tree sap goop, the whole ball rolls off a cliff and Pincushion Man disappears, perhaps forever.

As might be expected of a land where everyone and everything is made of balloons, the look of the film is colourful and rubbery-wet, and balloon animals make squidgy sounds. (That’s bound to get some rubber enthusiasts more than a little excited.) Sight gags involving balloon elasticity and the tendency of balloons to fly in circles when popped abound. Inventive plot twists ensure that the film never goes stale but remains fresh and vibrant. Bletcher does an excellent job in giving gleefully malevolent life to Pincushion Man through his voice. The desperate battle that Balloon Land fights to get rid of Pincushion Man, if its citizens are to survive, gives the cartoon an edgy quality.

The film does carry a conservative message that young people should obey their elders and not challenge what they say or otherwise transgress social conventions. The balloon children learn this lesson the hard way but make amends for the trouble they cause by raising the alarm so that Balloon Land can mobilise its defences quickly. The other lesson they will learn is that life is fragile and precious, and death is never far away and could take them at any time.