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Under Southern Eyes

Category: Northern European Films

Reviews of films from Finland, Greenland, Iceland and countries traditionally considered part of Scandinavia (Denmark Norway, Sweden). I’ve included Estonia and Latvia in this category as these countries have historic links to Sweden.

Australian and New Zealand Films | Northern European Films

The Swedish Model: a shallow and unedifying view of Sweden’s no-lockdown COVID-19 strategy

“The Swedish Model” (Foreign Correspondent, Australian Broadcasting Corporation, 30 June 2020) In March 2020, when

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Northern European Films

The Last Knit: dealing with a personal inner hell of addiction and compulsion

Laura Neuvonen, “The Last Knit” (2005) Technically this digital animated short is well done but

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Northern European Films

Aniara: a disappointing critique of human society in a spaceship on a doomed voyage

Pella Kagerman, Hugo Lilja, “Aniara” (2018) An ambitious project to bring a poem by the

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Northern European Films | Russian and Soviet Films

MH17 – Call for Justice: independent journalists’ investigation and findings create more questions than answers about the official investigation

Yana Yerlashova, “MH17 – Call for Justice” (Bonanza Media, July 2019) Five years after the

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Indian Subcontinent Films | Northern European Films

Victim of the World Wildlife Fund: racial cleansing and genocide masquerading as nature conservation

Jos van Dongen, “Victim of the World Wildlife Fund” (Zembla, 2019) Now this is the

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Northern European Films | South African Films

An Act of Defiance: a hard-hitting, confrontational film about personal courage and the fight for justice

Jean van de Welde, “An Act of Defiance” (2017) Quite a hard-hitting and confrontational film

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North American Films | Northern European Films

The Wife: a solid film notable for its lead performances but little else

Bjorn Runge, “The Wife” (2017) As films go, “The Wife” is enjoyable mainly for Glenn

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Northern European Films

Rams: a minimal but insubstantial film on the fragility of family and community ties and traditions against the outside world

Grimur Hakonarson, “Rams / Hrutar” (2015 Forty years ago, a family rift led to two

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Northern European Films

Tom of Finland: a film of hope, sympathy for underdogs and inspiration to others suffering hardship and oppression

Dome Karukoski, “Tom of Finland” (2017) As a general introduction to the life of gay

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Northern European Films

The King’s Choice: best seen as a character study of people having to make unenviable choices and decisions

Erik Poppe, “Kongens Nei / The King’s Choice” (2016) As a straight history lesson or

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