CTRL Z: gentle romantic time-travel comedy with a sting in its tail

James Kennedy, “CTRL Z” (2017)

Cats may have nine lives but the characters in this very funny sci-fi romantic comedy end up having nearly 4,800 lives thanks to a time-travel device invented by main character Ed (Edward Easton), a socially shy romantic who finds talking to and impressing Sarah (Katie Beresford) the girl of his dreams so excruciatingly difficult that he needs an infinite number of attempts to work up the courage to approach her. Each time he makes a dreadful mistake, he has to reset his time device back to the point where he is about to leave the table at the fast food restaurant to walk over to where she sits alone – but this means after making his mistake he has to die or kill himself. For support he has brought along a friend Carrie (Kath Hughes) and for much of the film’s running time Ed and Carrie keep up a constant repartee about his time-travelling box (which Ed explains has certain limitations, all of which are necessary for the way in which the plot eventually unfolds: the time-travel device only goes back in time to a predetermined time but is able to loop over and over indefinitely), the effects it has already had on both their lives – they have been stuck in the fast food restaurant for three years already – and the countless (ahem) times Ed has tried to talk to Sarah without getting sick and throwing up. Eventually after Carrie’s numerous suggestions to Ed fail, Ed turns to the waitress (Natalie Ferrigno) for help and the waitress suggests Sarah is upset and not amenable to being chatted up. Ed then tries in his own way to offer comfort to Sarah who is touched by his gesture of kindness.

From then on the surprises pile on quite thick and fast: Ed’s attempt at romance seems to have failed once again but then there is a twist and for the first time in a long time Ed’s life seems to be on track with a definite friendship. The climax when it comes – when Ed steps out onto the road – is sudden and savage, and Ed’s face, when he goes into an endless time loop, is sure to spark speculation about his behaviour during that loop. Having got off first base finally after nearly 4,800 tries, does he now suddenly realise that making second base is more difficult than he knows … or is the euphoria of leaving first base so good that he wants to relive that moment for as long as he can even if it means dying another 4,800 times? And what will happen after the plutonium in his time-travel device finally decays after, say … 82 million years later?

Comedians Easton and Hughes have good chemistry together and their timing is excellent while Beresford and Ferrigno have much less to do and seem more limited. The other minor characters in the fast food restaurant serve as decoration but even they are quite memorable in their reactions to Ed and Carrie stabbing each other with steak knives. The fast food restaurant setting with the low lighting throws the emphasis on Ed and Carrie, and the film noirish evening / late night ambience adds mystery and a sense of this story being isolated and self-contained that suits the plot with its looping repetitions.

A significant moment comes when Ed and Carrie step outside the fast food restaurant for a quick smoke and Carrie accuses Ed of reworking his life’s narrative in a way that suits his selfish purposes while others (like her) are not allowed the same privilege. At the same time the decisions that Ed makes and reworks (or on the other hand, does not make or rework) surely have an effect on other people’s lives that are long-lasting: over the three years that Ed has been working up the courage to talk to Sarah, she and the other people in the fast food restaurant may have lost three years of their lives. Interestingly it’s only when Sarah makes a decision that all characters, Ed included, can move on from three years of endless repetitions.

Ostensibly a film about friendships and the difficulties of romantic love and how it must be negotiated, “Ctrl Z” has a little sting in its tail that might say something about the nature of repetition, addiction and ultimately control over one’s life and other people’s lives. What seems to be apparent victory for Ed turns out to have a price.