Martin Campbell, “GoldenEye” (1995)
Named after original James Bond creator / novelist Ian Fleming’s estate in Jamaica, itself named after an Allied WWII operation spying on Spain’s possible connections with Nazi Germany, this film first featured Irish actor Pierce Brosnan as the MI6 wonder spy in an adventure that takes Bond to post-Soviet Russia and Cuba. The film begins back in the 1980s when Bond and fellow MI6 spy Alec Trevelyan (Sean Bean) infiltrate a chemical weapons facility but are sprung by Colonel Ourumov (Gottfried John) who apparently kills Trevelyan while the Brits try to escape. Years later, Bond tries to stop the outlandishly named psychopathic pilot Xenia Onatopp (Famke Janssen) from stealing a Eurocopter in Monaco but is held back by others. MI6 traces the stolen ‘copter to a military radar base in Severnaya in northern Siberia. An electromagnetic pulse suddenly destroys the base and knocks out all satellites orbiting above. MI6 determines that the pulse came from a Soviet-era satellite codenamed “GoldenEye” and Bond suspects the involvement of the now General Ourumov who has high-level military access to the satellite’s codes.
Bond travels to St Petersburg to connect with CIA agent Jack Wade (Joe Don Baker) who tells him to meet Valentin Zukovsky (Robbie Coltrane) who in turn can organise a meeting with Janus, a crime syndicate. When Bond does meet Janus, he is astonished to discover that Trevelyan is not only still alive but is the head of Janus. Bond is sedated and wakes up to find himself trapped in the stolen Eurocopter with a Severnaya survivor, computer analyst Natalia Simonova (Izabela Scorupco). The two narrowly escape being blown up and after a number of chase sequences during which Simonova is abducted by Ouromov and rescued by Bond, and several priceless historic buildings in St Petersburg are demolished, Bond and Simonova travel to Cuba when Simonova discovers that a work colleague of hers, Boris Grishenko, has also survived the Severnaya destruction and his location is discovered to be somewhere in that Caribbean nation. Bond and Simonova are due for a surprise when they reach Cuba and search for the Janus syndicate base and its satellite dish, flying their light plane over a lake which looks innocent enough to them.
The plot is a bit complicated to follow at first but after Bond and Simonova meet, it becomes fairly straightforward with plenty of action sequences – maybe too many and too irrelevant to the plot – to keep mainstream audiences entertained. The St Petersburg scenes look dirty and gritty and the film-makers don’t treat the city’s buildings and monuments with much respect at all. Brosnan plays a good Bond, tough and intelligent, with enough sensitivity to make his romance scenes with Scorupco’s feisty Natalia credible. Other characters range from the sinister (Ouromov) to the oddball (Grishenko) and the comic and unbelievable (Onatopp). Onatopp in particular must have been a left-over from the Roger Moore period of fantasy villainous hench-men: she is a jarring presence in what is otherwise a fairly realistic adventure thriller. On the other hand Bean puts life into a character stereotype (a Bond doppelganger) though the character’s motivation seems implausible: would MI6 really employ as a spy someone whose background might suggest he could easily turn double agent during his employment? The film might have built up the friendship between Trevelyan and Bond a little more at its beginning so that Bond feels the betrayal and duplicity of Trevelyan more sharply than he does, and his inevitable cruel despatch of Trevelyan becomes more understandable.
Themes of loyalty to one’s country and friends, betrayal, vengeance and the very thin line between good and bad in a morally indifferent universe – with perhaps a related issue of whether blood ties and self-interest count for more than friendship, loyalty and patriotism – are paramount in this film about two brother spies in arms who become enemies. Not for the first time is Bond challenged by a villain who chides him for being loyal to a bureaucratic organisation that belittles him by not paying him terribly well and expecting him to carry out dangerous life-threatening assignments and rescue damsels in distress, not all of whom he manages to save, for no better reason other than defending Britain and its interests. That Bond remains resolutely loyal to his crotchety employers in spite of the lack of gratitude MI6 often displays is always a given in the Bond films but is not explored in any of them in much detail. Apart from these observations, “GoldenEye” is a good straightforward introduction to Brosnan who fills the character of James Bond well indeed. If the Onatopp character had been ditched, “GoldenEye” might have become one of the better films in the James Bond film series.