The Lost King: real people and events lost in identity politics stereotypes
Stephen Frears, “The Lost King” (2022) A breezy and light film, “The Lost King” depends
Round-up of Films seen in 2021 and 2022
Dear USE Readers, As I’d not seen many films in 2021, due in part to
British Films | French and French-language Films | German and German-language Films | Northern European Films
Triangle of Sadness: a perilous navigation through class warfare, power struggles and a plot that falls apart
Ruben Östlund, “Triangle of Sadness” (2022) Just sit right back and you’ll hear a tale,
Japanese Films | North American Films
Bakemono: modern-day ghost story on family relationships
Jorge Lucas, Sumire Takamatsu, “Bakemono” (2019) Even in modern times, the demons and spirits of
Home in Time: time travel, the consequences of bad behaviour, free will and reconciliation in comedy sci-fi short
Patrick Hagarty, “Home in Time” (2019) In time for Christmas, this amusing sci-fi comedy short
Human Form: cosmetic surgery as a tool of social oppression to eliminate individuality and identity
Noh Doyeon, “Human Form” (2014) A deeply unsettling short film about a teenage schoolgirl’s quest
Apotheosis: grit, determination and resilience win over inborn gifts in polished sci-fi short
Max Pearce, “Apotheosis” (2022) A very polished short film, with similarities in themes and plot
Eureka! – dealing with depression with comedy and skilful acting
Laura Moss, “Eureka!” (2019) I confess, I saw this comedy sci-fi fantasy short because Karen
Jettison: a parable on the US exploitation of soldiers using time-space travel
J J Pollack, “Jettison” (2021) A young woman, Rebka (Madison Wilson), restless and bored with
The Menu: black comedy satire of class warfare in microcosm
Mark Mylod, “The Menu” (2022) A satirical commentary on Western gastronomy culture – and through