A personal journal of film and documentary reviews, and reviews of anything else that intrigues me.
Gus van Sant, “Psycho” (1998) A shot-for-shot remake of the Hitchcock original with much the same dialogue and even reconstructions of the original sets, this film…
Takashi Miike, “13 Assassins” / “Jusannin no Shikaku” (2010) Is there a genre of film the prolific director Takashi Miike hasn’t yet touched? Eighty films in…
Louie Psihoyos, “The Cove” (2009) This documentary by American photographer and film-maker Louie Psihoyos combines spy thriller genre elements with an agenda to educate the public about…
Shinya Tsukamoto, “Tetsuo: The Iron Man” (1989) Once again Tsukamoto has remade “Tetsuo: The Iron Man” in the form of “Tetsuo: Bullet Man”, the previous remake having been…
Alexander Sokurov, “Russian Ark” (2002) At last a film was made with just one take and a well-executed and visually gorgeous film it is too. “Russian Ark” is…
Australian and New Zealand Films, British Films
Paul Campion, “Night of the Hell Hamsters” (2005), “Eel Girl” (2008) Film shorts are a flexible medium for telling particular kinds of stories or expressing ideas…
German and German-language Films
Josef von Sternberg, “The Blue Angel” / “Der Blaue Engel” (1930) Famous as the movie that sent its leading lady Marlene Dietrich and director Sternberg (that…
Dziga Vertov, “Man with a Movie Camera” / “Chelovek s Kino-apparatom” / “Liudyna z Kinoaparatom” (1929) No plot, no obvious characters or a point of view…
Tomasz Baginski, “The Cathedral” / “Katedra” (2002) It’s a short film – less than seven minutes – created entirely with 3D computer animation but Baginski’s “The Cathedral”…
Konstantin Lopushansky, “Dead Man’s Letters” / “Pisma myortvogo cheloveka” (1986) Depressive in tone but with a hopeful optimism at its end, this film explores how human…