How is This the World: finding authenticity in virtual reality versus real world addiction and escapism
Sadie Rogers, “How is This the World” (2019) Starting out almost as a gritty film
Sadie Rogers, “How is This the World” (2019) Starting out almost as a gritty film
Australian and New Zealand Films | North American Films
Brooke Goldfinch, “Red Rover” (2015) In less than 15 minutes, “Red Rover” explores very minimally
Hyunsuk Kim, “Pinki” (2018) Initially looking like a Korean mash-up of Neil Blomkamp’s “District 9”
Mark Slutsky, “Final Offer” (2018) The premise is the height of implausibility but great acting
Australian and New Zealand Films
“Japan Post Bank: The great postal banking success – Interview with Daisuke Kotegawa” (Citizens Insight /
Clarke Tolton, “Metal from the Dirt” (2018) Unfortunately like other documentaries I have seen on
Liv McNeil, “Numb” (2020) Originally an art school project to occupy her for the rest
Deepak Chetty, “Hard Reset” (2016) The premise and the plot are predictable and rather tired,
Sophia Banks, “Unregistered” (2018) This short film commenting on the treatment of undocumented immigrants in
Australian and New Zealand Films | North American Films
Carlton Meyer, “The American Colony of Australia” (Tales of the American Empire, 19 February 2021)