Ikuo Oishi, “Ugokie kori no tatehiki” (1933)
Japanese animators in the 1930s sure loved the Max Fleischer style of animation and Ikuo Oishi was no different: the fox and raccoon dog characters in this cartoon fantasy have those Fleischeresque rubbery elastic limbs that sometimes stretch out forever when the occasion calls for it. In this animated short which could be based on Japanese legend, a fox spirit turns himself into a samurai after scaring the wits out of a frightened farmer walking through a forest at night. The samurai sees a wooden temple in ruins and walks in. His arrival alarms two raccoon dog spirits (who appear to be dad and junior) who then try to get rid of him. The spirits try all kinds of magic ruses to deceive and flummox one another before the samurai resorts to using guns (!) and even a machine gun (!) and thus gains the upper hand over the bigger racoon dog spirit. But his smaller friend finds a secret weapon and hurries to bop the samurai before the bigger racoon dog keels over from being Swiss-cheese hollowed out.
The energy is constant and the pace fast in these Fleischer-styled cartoons, and viewers are barely allowed to pause for breath before the cartoons go up to another level of zany slapstick intensity. This battle of the racoon dogs and the fox is no different: the racoon dogs try all kinds of ingenious disguises including disguising themselves as a lock and a key, and later as a flying snake and multitudes of tiny racoon dog clones. The flying snake allows Oishi and his crew the opportunity to portray the battle from a bird’s-eye point of view with the snake tracing a downward spiral into the centre of the film. The lack of English-language or other subtitles means that any underlying theme or message in the cartoon, along with the dialogue (of which there is not much), will be lost on viewers outside Japan. This means non-Japanese-speaking viewers can concentrate on the action and the general plot, and admire the background scenery, the details of which show real Japanese artistic sensibility. The backgrounds are the most outstanding part of the film. It is a pity though that the film is in black and white; the backgrounds might stand out even more with colour and visual perspective. The music soundtrack is traditional Japanese folk with solo stringed instruments like shamisen used throughout the film.
The technical background details, scenes with unusual points of view, many visual puns involving the technology of the day and the cartoon’s energy and wacky style make this fight between the fox / samurai and the determined racoon dog duo quite a memorable one to watch and cheer.