Australian and New Zealand Films
The Plumber: quirky character study commenting on the gulf between social classes and the sexes
Peter Weir, “The Plumber” (1979) Originally made for television, this low-budget film combines the psychological
Australian and New Zealand Films
Peter Weir, “The Plumber” (1979) Originally made for television, this low-budget film combines the psychological
Multi-media Presentations | North American Films
SCG News, “The Odessa Massacre – What REALLY Happened” (StormCloudsGathering, 12 May 2014) It’s only
Middle Eastern Films | Multi-media Presentations
“ISIS: The Bombshell Interview to Impeach Obama” – Al-Maydeen TV Interview with Sheikh Nabeel Naiem
Australian and New Zealand Films
Amiel Courtin-Wilson, “Bastardy” (2010) Several years in the making due to its subject’s predilection for
Andrey Karaulov, “Fascism As It Is” (2014) Looking hastily made, this documentary is a snapshot
Chanwook Park, “Oldboy” (2003) When I saw this film the first time over a decade
Australian and New Zealand Films
Peter Weir, “The Cars that Ate Paris” (1974) Acclaimed Australian director Peter Weir’s directorial full-length
Korean Films | North American Films
Joon-ho Bong, “Snowpiercer / Seolgugyeolcha” (2013) Joon-ho Bong’s first outing in the English language is
German and German-language Films
Rainer Werner Fassbinder, “Lili Marleen” (1981) An unhappy tale of thwarted love, Fassbinder’s “Lili Marleen”
Mark Devries, “Speciesism: the Movie” (2013) As home movies go, few possibly extend very far