Pony: a dark little story about the loss of innocence in a banal setting

Dony Permedi, “Pony” (2006)

“Pony” is a short animated film made by Permedi as an undergraduate college project with the subversions of everyday life and student black humour one might expect of people in their late adolescence / early adulthood. A young girl aged about 8 or 9 years runs out of the house one fine morning to celebrate her birthday with her friends. She discovers a surprise behind the tree in the backyard: it’s a colourful critter called Pony. He’s a co-operative friend too, if one overlooks his tendency to bite the heads off little girls’ dolls. The girl and Pony play around for a while and ignore her friends who have started to arrive for the birthday party. Later in the day, the girl goes looking for Pony and discovers to her horror that he’s dangling from a branch by a rope and her friends are preparing to hit it with a baseball bat. Bang, bang! – Pony’s guts spill out and the kids start grabbing bits and pieces of him. One child hands a bloody part to the girl and she eats it … The scales fall from her eyes and she realises she’s eating a sweet and Pony has been a piñata the whole time. She looks at her friends anew and all she sees are other piñatas … so she picks up the baseball bat and goes after them …

It becomes obvious that the birthday party and the character of Pony represent aspects of a rite of passage in which the girl passes from the world of infancy and innocence into another world where life is not so kind and friendly, the difference between good and evil is not well defined, and one constantly has to be on guard against friends who too easily become enemies, and against enemies who pretend to be your friends. Fantasy and reality are not easily separated. In this world of ambiguities, where the law of the concrete jungle reigns and folks live by dog-eat-dog rules, violence becomes a first resort rather than the last option. Apart from the symbolism, the ideas and the themes they may represent in “Pony” are not well developed and it may be that Permedi is trying to express more than he can actually say in this short. The characters are too undeveloped and stereotyped and the birthday party context perhaps too banal and flimsy to carry the rite-of-passage theme and how it affects one particular individual with devastating consequences.

Permedi would be well advised to find a writing collaborator who can express his ideas and aims in a story-telling form while he concentrates on creating credible animated characters and worlds.