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Tag: Horror

North American Films

Funny Games (English language version): an ultimately empty and boring remake that misses the point of violence in American films

Michael Haneke, “Funny Games (English language version)” (2007) Austrian director Michael Haneke originally had wanted

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Australian and New Zealand Films

The Plumber: quirky character study commenting on the gulf between social classes and the sexes

Peter Weir, “The Plumber” (1979) Originally made for television, this low-budget film combines the psychological

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Korean Films

Oldboy: arthouse film trappings cannot disguise a flimsy plot, flat characters and an empty message

Chanwook Park, “Oldboy” (2003) When I saw this film the first time over a decade

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Australian and New Zealand Films

The Cars that Ate Paris: oddball comedy horror satire on society and technological fetishism

Peter Weir, “The Cars that Ate Paris” (1974) Acclaimed Australian director Peter Weir’s directorial full-length

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North American Films

The Manchurian Candidate: a layered and intense film on the abuse of power

John Frankenheimer, “The Manchurian Candidate” (1962) At some point during the Korean War in 1952,

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Northern European Films

Memoria: a tight closed narrative loop with no chance of forgiveness or redemption

Elísabet Ýr Atladóttir, “Memoria” (2013) A creepy psychological character study, “Memoria” is very depressing to

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Northern European Films

The Backwater Gospel: a darkly grim Gothic satire on religious fanaticism, mob rule and the fear of death

Bo Mathorne, “The Backwater Gospel” (2011) In a total running time of just over nine

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Japanese Films

Kwaidan: a lesson in four parts about having contact with the spirit world

Masaki Kobayashi, “Kwaidan” (1964) Often billed as a horror film, “Kwaidan” is in fact a

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Japanese Films

Suicide Club: gory horror flick intended as interrogation of the state of modern Japanese society

Sion Sono, “Suicide Club / Jisatsu Sakuru” (2002) Famous for its controversial premise, full-on gory

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Spanish Films

Blancanieves: silent Gothic melodrama of a brief summer of shining innocence before a long winter of fascism

Pablo Berger, “Blancanieves” (2012) In the style of old 1920s expressionist silent films, Berger’s “Blancanieves”

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