British Films, French and French-language Films

A trite plot and character stereotyping can’t lift “Paris 2054: Renaissance” from bland SF thriller genre

Christian Volckman, “Paris 2054: Renaissance” (2006) A glossy animated style of minimal black-and-white presentation, emphasising detail, mood and atmosphere in a future Paris governed by corporations…

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Italian and Italian-language Films, North American Films

The Last Man on Earth: still retaining the power to shock and horrify with a message of post-apocalyptic despair and existential angst

Ubaldo B Ragona and Sidney Salkow, “The Last Man on Earth” (1964) Over 50 years since it was made, this cheaply made horror film has clearly…

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North American Films

The Handmaid’s Tale: a film affected by its own demonstration of how repressive societies suck the life out of whatever they touch

Volker Schlöndorff, “The Handmaid’s Tale” (1990) Based on the dystopian novel by Canadian writer Margaret Atwood, “The Handmaid’s Tale” as realised by Volker Schlöndorff is a…

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German and German-language Films

Metropolis (dir. by Fritz Lang, reconstructed + restored): near-full restoration carries a populist message of fear and conservative belief

Fritz Lang, “Metropolis (reconstructed + restored)” (1928) I’ve had the opportunity to see “Metropolis” (which I reviewed some years ago) again in its reconstructed and restored…

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