Kenzo Masaoka, “Tora-chan to Hanayome” (1948)
The last three animated films made by Kenzo Masaoka revolved around the adventures of the kitten Tora-chan (Little Tiger). The first one “Suteneko Tora-chan” addresses the issue of caring for abandoned war orphans in a post-war society ravaged by poverty and urges people to foster and adopt such children to preserve social values, maintain cultural continuity and ultimately strengthen Japanese society. Second film “Tora-chan to Hanayome”, made a year later, is a much more conventional animated film in which Tora-chan and sister Miike-chan are given the responsibility to run interference against Grandfather who has just charged into town to stop his elder grand-daughter (and big sister to Tora-chan and Miike-chan) from marrying. The parents quickly hustle off the big sister to the church leaving the kittens on their own at home. When Grandfather barges into the house, the kittens try all kinds of ruses to stop him from going into the bride’s room. When their efforts fail, Grandfather seizes the kittens and races off to the church to find the wedding party.
While the animation is good if not great, the plot drags on and overdoes the slapstick in a number of scenes. The donkey that is to take the wedding party to the church spends too long preening itself in front of a mirror. In order to keep Grandfather away from the stairs, Miike-chan starts posing a bit provocatively in ways that modern audiences might not condone today. Some characters are not drawn very well and the background scenery often looks crude and hastily done.
Even for a film aimed at children, the plot has large logic holes and its resolution looks unconvincing. We never learn why Grandfather opposed his grand-daughter’s wedding or (spoiler alert) why he changes his mind later. An opportunity for the film-makers to say something about how Japan must adapt to the modern world is lost. At least no-one is badly hurt, everyone is reconciled and Tora-chan and Miike-chan can go back to playing in the sunshine.