A tale of alienation, dehumanisation and exploitation in “Upload:U”

Samuel E Mac, “Upload:U” (2017)

A creepy little short made in very sparing minimalist style, “Upload:U” may be viewed as a metaphor expressing the alienation and dehumanisation of people living isolated existences highly dependent on cyber-technology for social interactions. Disillusioned by her cubicle job at work, unable to connect with a male employee she fancies and cut off from her family, Jane (Lee Marshall) increasingly relies on her recreational virtual reality console, connected to the AI system in her flat, for entertainment and solace. One night, her avatar takes her to a bar where she meets a man – or a few men – and has sex with him (or them). She wakes up in the morning in pain, wounded and bloodied between her legs. A strange light glows white and red within her abdomen.

Reminiscent of the cult sci-fi horror film “Demon Seed” in which a scientist’s wife is held prisoner, raped and impregnated by a computer, this short can be distressing to watch as Jane, trying to get help through her AI which deliberately misunderstands her instructions, weakens and finally dies. At no time at all does Jane appear to realise that the AI has fooled and manipulated her, and in my view this is the film’s downfall. At the very least Jane could have asked or argued with the AI what it had done to her and why. At the very least Jane could have attempted to regain control over her life, perhaps even tried to damage the AI, and this would have given viewers a better indication of her character. As it is, Jane comes across as superficial, passive and undeserving of audience sympathy. The conclusion is predictable but is cut off very quickly so viewers get no idea of the AI’s reaction to the birth of the offspring.

While the film’s visual style is light, clear and minimalist, obscuring the horror of its plot, and its cinematography is very good and uses a cheap budget well through the use of unusual angles and points of view, the film overall is let down by a poor story and sketchy characterisation. To get something out of this film, viewers need to bring their own knowledge of human alienation gained from experience or philosophical study. Young viewers without such knowledge, at whom the film targets, are likely to find this film confusing. Viewing “Upload:U” as a metaphor for human alienation, as a first step towards dehumanising people and exploiting them as machines, may be helpful in understanding the film and its flaws.