The Red and the Black / The Horse: two little oil paintings in continuous motion
Witold Giersz, “The Red and the Black / Czorwane i Czarne” (1963) / “The Horse / Kon” (1967) I was held spellbound by these two very…
A personal journal of film and documentary reviews, and reviews of anything else that intrigues me.
Witold Giersz, “The Red and the Black / Czorwane i Czarne” (1963) / “The Horse / Kon” (1967) I was held spellbound by these two very…
Ryszard Czekala, “Son / Syn” (1970) This short silent animation piece is one that Polish animator Ryszard Czekala is best known for and it’s easy to…
Ingmar Bergman, “Smultronstället / Wild Strawberries” (1957) Few movies feature 80 or 70-something actors as lead characters so to see Bergman’s “Wild Strawberries” with Viktor Sjöström in…
Stanley Kubrick, “A Clockwork Orange” (2013) Not a bad film but for what it is, “A Clockwork Orange” is fussy and relies too much on shock,…
Andre de Toth, “House of Wax” (1953) “House of Wax” was the movie that established Vincent Price as a horror film icon and in itself is…
Alex Cox, “Repo Man” (1984) Dare I say that with the passage of time, this little cult science fiction comedy thriller film will come to be…
Atom Egoyan, “The Sweet Hereafter” (1997) It won quite a few Best Film and Director awards and was nominated for Best Director and Screenplay Oscars but…
French and French-language Films
Michael Haneke, “Caché / Hidden” (2005) An imaginative if overly layered thriller about a couple threatened by an unseen and unknown stalker, Michael Haneke’s “Hidden” is…
Terry Gilliam, “Fear and Loathing in Las Vegas” (1998) From that period of Johnny Depp’s acting career when the films he was making were actually quite…
Andrei Tarkovsky, “Solaris” (1972) The great Soviet director Andrei Tarkovsky was nothing if not consistent: he made beautiful, artistic, slow-burning films that are an immersive experience…