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Annual Reviews of Films Seen

Round-up of Films seen in 2024

Dear USE readers, I haven’t seen very many films this year but I have endeavoured

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North American Films | Russian and Soviet Films

Anora: Cinderella tale skewers class system and trash culture in neocapitalist society

Sean Baker, “Anora” (2024) Presenting as a comedy variation on the Cinderella story, “Anora” deftly

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British Films | North American Films

Lee: a tired and flat biopic that does its heroine no justice

Ellen Kuras, “Lee” (2024) An earnest biopic, “Lee” follows the career of US photographer /

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Indian Subcontinent Films

The harm caused to women and girls by queer theory and gender identity politics in “Dysphoric: Fleeing Womanhood like a House on Fire (Part 4: For a Gender Critical Future)”

Vaishnavi Sundar, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 4: For a Gender

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Indian Subcontinent Films

Hostility to detransitioning and what it says about the desire to control nature in “Dysphoric: Fleeing Womanhood like a House on Fire (Part 3: Trans Regret)”

Vaishnavi Sundar, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 3: Trans Regret)” (2020)

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Indian Subcontinent Films

The medical profession and its practices under fire in “Dysphoric: Fleeing Womanhood like a House on Fire (Part 2: Medicalisation)”

Vaishnavi Sundar, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 2: Medicalisation)” (2020) In

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Indian Subcontinent Films

Misogyny, female adolescence and gender identity ideology collide in “Dysphoric: Fleeing Womanhood like a House on Fire (Part 1: Being a Woman in a Woman-Hating World)”

Vaishnavi Sundari, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 1: Being a Woman

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North American Films

Apartment 7A: regurgitating a classic psychological horror film as a boring profit-making exercise

Natalie Erika James, “Apartment 7A” (2024) Essentially a remake of Roman Polanski’s famous psychological horror

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British Films | French and French-language Films | North American Films

The Substance: devastating satirical critique of Western culture’s obsession with surface appearances and material worth

Coralie Fargeat, “The Substance” (2024) It may be called “The Substance” but this film’s style

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French and French-language Films | Northern European Films

Complètement cramé! – feel-good comedy on the importance of hope and helping others as a way of helping oneself

Gilles Legardinnier, “Complètement cramé! / Mr Blake at your service!” (2023) It’s twee and artificial

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