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Korean Films | North American Films

Snowpiercer: silly social satire reveals a conservative and narrow view of human nature and potential for change

Joon-ho Bong, “Snowpiercer / Seolgugyeolcha” (2013) Joon-ho Bong’s first outing in the English language is

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German and German-language Films

Lili Marleen: a celebration and critique of the Hollywood musical tradition and its historical context

Rainer Werner Fassbinder, “Lili Marleen” (1981) An unhappy tale of thwarted love, Fassbinder’s “Lili Marleen”

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North American Films

Thought-provoking and entertaining inquiry into animal rights in “Speciesism: the Movie”

Mark Devries, “Speciesism: the Movie” (2013) As home movies go, few possibly extend very far

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French and French-language Films | West African Films

Timbuktu: a fragmentary set of parallel tales whose overall message is unclear

Abderrahmane Sissako, “Timbuktu” (2014) Set in northern Mali some time after the downfall of Colonel

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Italian and Italian-language Films

The Leopard: a character study thin on political expediency and cynicism, and thick on glamour

Luchino Visconti, “Il Gattopardo / The Leopard” (1963) A sumptuous film even by the glamorous

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German and German-language Films

The American Soldier: focusing on alienation and longing for connection

Rainer Werner Fassbinder, “Der Amerikanische Soldat / The American Soldier” (1970) A loosely stitched pastiche

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German and German-language Films

Gods of the Plague: a character study on social hypocrisy, loneliness and the destruction of dreams

Rainer Werner Fassbinder, “Götter der Pest / Gods of the Plague” (1970) Following on from

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Multi-media Presentations

Drones, detention and dormant journalism in “Coffee and Papers …” at the 2014 Sydney Writers Festival

“Coffee and Papers with The Sydney Morning Herald, Jeremy Scahill and Antony Loewenstein,” Sydney Writers

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North American Films

The Manchurian Candidate: a layered and intense film on the abuse of power

John Frankenheimer, “The Manchurian Candidate” (1962) At some point during the Korean War in 1952,

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German and German-language Films

Love is Colder than Death: a study of nihilism and individuals’ relationships in a mercenary society

Rainer Werner Fassbinder, “Liebe ist kälter als der Tod / Love is Colder than Death”

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